February 2010
1 post
This “moment” is titled...
December 2009
3 posts
Although there’s going to be about 3 more...
hargsh
say hello to hargsh library, its formula (apart from instant-win) is:
over-the-bridge plucking (very high and kind of jarring sound)
extreme retriggering, created with puredata
real-time granular stretching of the sample resulting in a busy texture and varied, fading overtones
onward to the wind section.
UNDERSTATEMENTS preview. See if you can spot the...
November 2009
1 post
Detail is substance. (Understatements Fragment).
October 2009
5 posts
and yet it’s still incomplete
“Typography manipulates the silent dimensions of the alphabet, employing habits...”
– Lupton, Ellen. Thinking with type : a critical guide for designers, writers, editors, & students. (New York: Princeton Architectural Press), page 67. (ISBN 1-56898-448-0)
Excitements.
http://u.nu/98ek3
Scroll down. So many “woots!”
September 2009
4 posts
Couldn’t resist…
samples samples samples
Yes, 92 of them so far, actually, and counting. I’ve been trying to get this stuff finished for a while now while outlining things that I have to do with those… It seems to me that the “primary” (foreground) content may not be enough, but several things are possible.
I’ll drop some images showcasing the madness, as I’m also quite certain that their number will...
Nachalo
I have finally managed to hunt down an on-line source outlining at least some history behind the instrument being used this semester. The piece that’ll be created with this will be a piece full of computerized tomfoolery and modern production techniques, but I suppose that a little bit of history would be in order.
Made in Belorus, the former Soviet Republic west of Russia, these fun...